Sound design for advertising, brand documentaries & film — and sound art of my own.
[ Work ]
adidas · 12′30″A twelve-minute documentary following Sabastian Sawe to his 1:59:30 at the 2026 London Marathon, narrated by Haile Gebrselassie. Directed and edited by Matías Boettner.
RoleSound design and music.
Advertising short for Reinserta on child sexual abuse in Mexico. Directed by Garra (Iris Valles & Alex Olten). Location sound: David Fournier. Music: Papa Music.
RoleSound design.
Winning piece · Gold, El Ojo de Iberoamérica 2024Reinserta short about children who grow up in prison alongside their mothers.
RoleSound design.
Award-winning piece · Silver, Cannes Lions 2024Sound for a KEF product piece made together with Francisco Rossi. Video coming soon.
RoleSound design.
An experimental speaker imagined in CGI. The sound design follows the same logic: object, material, vibration.
RoleSoundtrack.
Short film selected at FIDBA 2023 and chosen for distribution by Werner Herzog’s Film Accelerator in Lanzarote.
RoleSound design.
Fiction short written, directed, edited and produced by Matías Boettner.
RoleSound design & mixing.
Feature film premiered at the Philadelphia Latino Film Festival and the 1st FIC.UBA (2023).
RoleSound, with Gastón Ibarroule.
Filmed during the Cumbre Vieja eruption on La Palma (2021). A piece where the sound of the earth is almost a character.
RoleSound design.
RoleSound design & mixing
RoleSound design & mixing
RoleSound design & mixing
RoleSound design & mixing
RoleSound design & mixing
RoleSound design & mixing
RoleSound design & mixing
RoleSound design & mixing
RoleSound post-production
Multimedia exhibition, with Carolina Bonfanti Mele.
RoleSound design & soundscapes
Participatory art.
RoleSound art installation
Sound installation for Carolina Bonfanti Mele, made with Victoria Barca’s composition.
RoleSound art
Experimental collaboration.
RoleParticipating artist
Written and directed by Candelaria Sabagh. Centro Cultural Rector Ricardo Rojas.
RoleSound editing and live music with the orchestra
By Marek Kochan, directed by Ignacio Sánchez Mestre. Teatro Anfitrión, 2nd Europe + America International Playwriting Festival.
RoleSound
Recorded and mixed with Juan Godfrid. Anomalía Ediciones.
RoleRecording, mixing, co-production
Nothing here yet.
[ Info ]
Sound stops accompanying the image and starts telling it.
I’m Matías Luzi —sometimes Matías Laney— an Argentine sound designer and musician based in Barcelona. I make synesthetic soundscapes: sound you feel with all your senses.
I started as a kid, in 1998, when I was 12. I studied at the Escuela de Música de Buenos Aires, at Tecson and at Musicians Institute in Los Angeles, and later did masters and workshops at London Film School and UNSAM. For many years I worked travelling the world on documentaries, until in 2012 I focused on sound design for film and advertising.
Today I design audio for advertising, brand documentaries and film. I did the sound design and music for Chasing Sub2, adidas’ documentary on the 2026 London Marathon, and the sound for Huracán and Tres, two Reinserta pieces with Grey México and Oriental Films that won at El Ojo de Iberoamérica and Cannes Lions.
Outside commissions I make stranger things: scores for shorts and features that travelled the festival circuit, sound art installations, theatre and pieces where sound is the protagonist. I work in Spanish and English, from Barcelona and remotely.
[ Recognition of the pieces I worked on ]
[ Worked with ]
[ Contact ]
Got a spot, a film or a strange idea that needs sound? Write to me.
hello@matiasluzi.comBased in Barcelona · working globally
Spanish · English